When You Don't Know The Right Thing To Do...
Case in point: in the dear days of dinosaurs, Elvis, and Plus X film, 125 ASA was the giddy limit for sensitivity in photo emulsions - at least in the sort of films that they sold in the local drugstore and that I could afford. I was new to the sport and dutifully exposed the Plus X at exactly this meter setting ( and took a careful meter reading for each and every exposure - even when neither the light nor the subject ever changed...). I was rewarded with a set of ever-so-slightly underexposed negatives. Had I known to do it, I should have rated the stuff at 80 ASA and got more silver for my money.
Then again when I underexposed the Kodachrome II slides of the period I was a little disappointed with the dark colour but now that I can scan and subject them to PSE, I am more than happy to have the highlights.
This last weekend saw me running out with a new lens and camera and a new sense of adventure occasioned by retirement. I drank a beer in a country pub at 11:00 AM and spent the afternoon in a car museum. While I shot a number of the exhibits with the Fujifilm EF42 flash providing fill, I also threw caution to the winds and racked the Fujifilm X-T10 up to 3200 ISO and let 'er rip. I can report that the jpegs are imminently satisfactory and the freedom to just point and shoot is awesome.
Of course you all knew this before I did, and in the case of some of the bigger DSLR's you have been turning the ISO dial up to nosebleed numbers for years - but this is the handy dandy mirror-less game for me and I am starting to get excited. I suspect that if more people were to come into the shop and look at the Fujifilm X-series and some of the new lenses that have wide apertures, they would join the brigade.
Note: Heading image is the museum hall - this following one is of a new Morgan three-wheeler. The graphics are execrable but the vehicle is a delight.
Labels: ASA, available light, Canon, High ISO, ISO, Leica, Morgan, Nikon, Olympus, Panasonic, Pentax, Sony
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