Wednesday, October 2, 2013

Table Topple


I like table tops. You can take pictures on them, you can eat your dinner off them, and you can sleep on them after 18 bottles of beer. Actually, these days I can get there in 6, which means I can afford a pillow for the tabletop...I generally use a pile of old chip wrappings.

As photographic supports, however, they can leave something to be desired - mainly a backdrop behind your main subject. If you are doing pack shots or product photography you frequently need a bland or invisible backdrop so as not to encroach upon your subject. Herewith several suggestions:

1. Get a large sheet of cardboard from the newsagent or Jackson's art supply* and tape it to the front of the tabletop. Let it run back as far as you need for the subject to sit and then curve it up. Support it with a pile of books. Light the subject with $ 2000 worth of studio monolights or $ 1000 worth of speed lights and the pictures will look good. Light it with the sun and the pictures will also look good but you will have to contend with flies and wind.

2. Put your subjects inside a Glanz or Promaster light cube and light as before. The tent will shelter the subject but will itself catch the wind. Be cautious outside but don't be discouraged - many people light jewellery successfully with a light tent and a reflector and the Western Australian sunshine.

3. Promaster product table. Now you're talking. Attachment points for lighting supports and a translucent curved base - you can fire a flash up from below to eliminate shadows. Not expensive and folds out of the way. Our preferred product platform. in store now. No, you can't have the one on the floor because WE need it...we have more upstairs.

* Same cardboard but you can get Lotto tickets from the newsagent. And a smile.

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Table Topple


I like table tops. You can take pictures on them, you can eat your dinner off them, and you can sleep on them after 18 bottles of beer. Actually, these days I can get there in 6, which means I can afford a pillow for the tabletop...I generally use a pile of old chip wrappings.

As photographic supports, however, they can leave something to be desired - mainly a backdrop behind your main subject. If you are doing pack shots or product photography you frequently need a bland or invisible backdrop so as not to encroach upon your subject. Herewith several suggestions:

1. Get a large sheet of cardboard from the newsagent or Jackson's art supply* and tape it to the front of the tabletop. Let it run back as far as you need for the subject to sit and then curve it up. Support it with a pile of books. Light the subject with $ 2000 worth of studio monolights or $ 1000 worth of speed lights and the pictures will look good. Light it with the sun and the pictures will also look good but you will have to contend with flies and wind.

2. Put your subjects inside a Glanz or Promaster light cube and light as before. The tent will shelter the subject but will itself catch the wind. Be cautious outside but don't be discouraged - many people light jewellery successfully with a light tent and a reflector and the Western Australian sunshine.

3. Promaster product table. Now you're talking. Attachment points for lighting supports and a translucent curved base - you can fire a flash up from below to eliminate shadows. Not expensive and folds out of the way. Our preferred product platform. in store now. No, you can't have the one on the floor because WE need it...we have more upstairs.

* Same cardboard but you can get Lotto tickets from the newsagent. And a smile.

Labels: , , , ,